There are way too many records released every week - which one should you listen to? We want to help you by reviewing lots of records every week and you can also check out a little teaser before reading the whole thing. And if you want to, you can also browse through our archive and have a look at the amazing records you might have missed out on.
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Big|Brave take you on a rewarding sonically dense journey into a brave new chapter of Post-Metal that demands your attention
Continue reading >Olhava are in the epicentre of the current Post-Black movement. Their music can transport you to another place with its hypnotic “Blackgaze”, trance inducing sounds. They have delivered yet again with the release of the glacial, sub-zero gem, Frozen Bloom.
Continue reading >Forgive me Father, for I have sinned and did not listen to El Altar del Holocausto.
Continue reading >Topik is full on attack of the senses with its crisp, metallic and hard-hitting blend of “Post Metal”. It’s brimming with intensity and ferocity, and invokes visions of a world that’s dark and futuristic. Its melody and power will consume, and does not cease until the very last note. Krane bring you on a wild and meteoric journey.
Continue reading >Ryan Frederiksen’s band after These Arms Are Snakes releases another record full of pearling hardcore and emotive indie-rock. Lo and behold!
Continue reading >Norway’s noise-rock king and queen duo just released a record full of awesome references, hints, and pop-cultural references. AOTY? Maybe!
Continue reading >An outstanding album which manages to convey its message very well, a real achievement
Continue reading >Agvirre and Dead Cosmonauts have released a split single in aid of the MIND mental health charity. This is a great opportunity to sample Agvirre’s “blackened Post Grunge” sounds and hear Dead Cosmonauts give their unique twist on the Bladerunner theme song. These are two brilliant tracks of high intensity, no holds barred “Post Metal” that need to be heard.
Continue reading >A stunning musical journey through a film score inspired landscape
Continue reading >A Reason To Travel’s latest release Kingdom is an immaculate piece of Ambient Post rock that will have you emotionally invested from start to finish. Sit down, relax and enjoy this epic journey back in time.
Continue reading >Louisiana Death-Doomers Kavyk churning out a debut album on Caustic Hollow which is full of dirty fingernails but also some cliffhangers with space to evolve.
Continue reading >Endlings are an American band, borne of a collaboration at the Albuquerque Experimental Music Festival, way back in 2010, between John Dieterich of Deerhoof and Diné composer, visual and sound artist, Raven Chacon. They’re joined on three tracks of this release by virtuoso percussionist Marshall Trammell.
Continue reading >Less than 18 months after their debut full-length, Timelost, the shoegazey Grunge-combo releases a new EP with several interesting songs and a PsychFur-Cover!
Continue reading >The brilliantly talented Their Methlab release a stomping mini EP thats hits you full on with power, thunder and might. Two tracks of old school hard hitting and ultimately fun “post-metal”.
Continue reading >Sludgers from Cork blend in perfectly between ritualistic metal bands and world-music experts showcasing some kind of Irish ritual of ancient times, when the earth was roamed by druids and fairies.
Continue reading >Silas J. Dirge is the onomatopoeic moniker of a Dutch singer/songwriter whose outlaw ballads really transport the feeling of a 20th duel scene on the streets of Laredo with hayballs flying across the path.
Continue reading >Hamburg’s most interesting band between hardcore and black metal complete their Rituals trilogy with the release of yet another interesting record.
Continue reading >Austrian black metal institution Ellende reworks the songs from an EP that he released several years ago and the new sound does some astonishing things to the tracks.
Continue reading >A sound somewhere between Blue Cheer and The Doors is mixed with choir enchantments to conjure the spirits on Kabbalah’s <i/The Omen</i>. Really spellbinding.
Continue reading >On a wet and dreary winters evening, one of life’s little pleasures is chilling out with a bottle or two of ice-cold beer and passing a few hours wandering through the vast euphonic wilderness that is Bandcamp. I tend to get lost in it every couple of months, and when I do, there’s a great sense of triumph and gratification when I unearth a band whose sound instantly clicks and has something unique about them. Back in 2017, I came across Denmark’s Nordsind, and their EP Efterar.
Continue reading >Where were you when you first heard something unique? Something that you had never heard before. Sure, we can all accuse any band or artist of being derivative. There are only so many notes, so many combinations and so many instruments in the world… everything we hear is bound to have been done before, right? How about taking a mixture of darkjazz, then mixing in a pinch of metal vocals and finishing it off with a healthy handful of middle eastern spice?
Continue reading >When a young band comes up with an impressive album riding the razor’s edge between Death and Doom Metal it should always be noteworthy, just like Sepulcros’s debut.
Continue reading >Udande proves to the dot that Vendetta Records is one of the labels for good black metal - this time with a lot to think about.
Continue reading >France is said to be the birthplace of cinema with it’s innovative style and flair and it’s fearless approach with experimentation. So it’s not surprising that bands like Flyingdeadman, Lost In Kiev and Oak for example, are artisans at seamlessly integrating film into their own craft. It’s a signature sound and style for a lot of bands in the “post rock” genre, but some bands are simply better than others when it comes to effortlessly blending the two art forms.
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